To say that the classic Action/Adventure film “Raiders of the Lost Ark” directed by Stephen

Spielberg still holds up nearly 40 years later would be an understatement.

For those that haven’t seen the hit film from 1981, the plot centers around Dr. Indiana

Jones (Harrison Ford), who is an archaeologist that is sent to Egypt in search of The Ark of The

Covenant, which is a wooden chest that is rumored to have the original stone tablets that

contain the Ten Commandments. However, Dr. Jones’ search for the religious artifact won’t be

all smooth sailing, with Jones having to be reunited with a former lover, Marion Ravenwood

(Karen Allen), and even having encounters with Nazis, who are searching for the ark in hopes

that it’ll make their armies invincible.

The film, and those that work on it, are a who’s who of the 1980’s film scene. With

Spielberg and Ford having already been mentioned, but the film also features the writing of

George Lucas of “Star Wars” fame, and the composing of John Williams. The best way to

describe the production of this film is to compare it to an all-star game, where everyone is doing

whatever they can to elevate the project to a higher level.

The writing, on the most basic level, is very enjoyable. Lucas’ biggest strength as a

writer is in his ability to create a world and get the viewer immersed in it, and that is abundant

here. From the opening scene of the movie, where Dr. Jones is inside a temple in the middle of

the jungle in Peru, all the way to the deserts of Cairo, Egypt, the viewer will feel the desire to

explore those areas. However, the writing ends up having a major plothole that has been

noticed by many people, that being that the outcome of the film would end up the exact same

regardless of if Dr. Jones and Marion were a part of it or not. It’s something that can potentially

ruin any replays, since the viewer is likely to notice this and wonder how things would’ve played

out a little differently.

The cinematography really shines, and helps immerse the viewer in the world as well.

Shots going through the Peru Jungle, the very famous “boulder chase” scene, and a

thunderstorm in the distance as the ark is opened all stand out as shots that are either beautiful,

suspenseful, or help influence the world building.

John Williams absolutely knocks his composition out of the park, creating many

memorable tunes that help heighten the emotions in the scene, and stay in the minds of viewers

even after the end credits. The main theme is an extremely catchy tune that makes the viewer

feel like they’re about to embark on an epic journey, and when small segments of it are played

after Dr. Jones triumphs over the Nazis, it makes his victory feel even more meaningful. Another

very memorable track is the one that plays when Dr. Jones uses a staff to find the location of

the ark. The orchestra makes this achievement feel even more impactful, not only on the plot of

the film, but also on the fictional career of Dr. Jones.

The acting ranges anywhere from decent to great. The two leads, Dr. Jones and Marion

Ravenwood both had great portrayals from their actors, with the two of them having on-screen

chemistry that is arguably the best of any two characters in a film that Harrison Ford stars in.

The two main antagonists, Arnold Ernst Toht (Ronald Lacy) and Dr. René Emile Belloq (Paul

Freeman) ranges in their portrayal of their characters. Both of the actors are of English descent,

but they are tasked with playing a German Gestapo Agent and a French Archaeologist

respectively. Paul Freeman pulls off a pretty convincing Frenchman, but Lacy’s German accent

definitely sounds off, like the viewer can tell that the actor isn’t German. However, on a positive

might not see coming. Freeman pulls off the role of a rival for Dr. Jones very well, making the

viewer hate how the character acts in the story, that just helps the audience root for Dr. Jones

even more.

Raiders of the Lost Ark definitely still holds up as an entertaining, action-packed film

that’ll keep the audience on the edge of their seat through each and every of the 115 minutes.

The film can be found on Netflix, along with the other films in its series,

The Temple of Doom

(1984),

The Last Crusade

(1989), and

The Kingdom of the Crystal Skull

(2008).